AS media 2021

Loading... How does your product engage with audiences? How would you distribute it as a real media text? Question 3 by Mele Leaaetalafoou Question Four by Mele Leaaetalafoou

 

Here are a few examples from After Effects that I will be incorporating into my short film:

Peer Feedback: Opening establishing shots need smoother transitions. Credits from opening shot. Consistency of transitions. After effects for Credits. Add different music.  Take out first shot of masked man. Music change. Cool Establishing shots. Maybe put the title at the end. Music to fade out in the end, go quieter. Like the font of the names. You've made the film more scary than what it is. Like the music for thee stablishing shots. Love the font title. Transition could match the music Cross-dissolve My Thoughts on Peer Feedback: I agree with alot of the Feedback that I have been given, and will consider taking them into account. I definitely will be changing and using the following: Changing/Using a different Transition from the cliche 'fade to black'. eg : Cross-disolve Changing the music when it comes to building up the suspence. Put the Credits in the Opening shots. Smoothen out the transistions.

Foundation Portfolio Location: Our location for our Foundation Portfolio is based in a workshop, a sort of isolated area where no one but the owner knows is. This adds to the suspense of our film and creates a sense of 'mystery'. Here are a few photo's of where we will be filming: These photo's is where we will locate all if not most of our shots. These locations fit the story line, with the almost isolated area and darkness, also linking to the fact that the guy hides her at a workshop, these locations both look like good locations to film this.  By Mele Leaaetalafoou. 

 Script :  G O N E Script:  Hostage : Chloe  Bad Guy : Levi  FADE IN: WORKSHOP - ESTABLISHING SHOT - DAY BUT DARK - INSIDE Setting the scene. Work Tools. DISOLVE TO: WORKSHOP - CLOSE-UP SHOT - DAY BUT DARK - INSIDE Still setting the scene. The Walls and Floor.  DISOLVE TO: WORKSHOP - WIDE SHOT - DAY BUT DARK - INSIDE Walls inside the workshop.  DISOLVE TO: WORKSHOP - INSIDE - DARK Hostage (Chloe) tied up and in bondage. Stressed out and scared.  Close-up on her facials and emotions.  DISOLVE TO: WORKSHOP - OUTSIDE - DARKISH  The 'Bad Guy' (Levi) walking towards garage door. Holding a knife.  Scraping it against wall as he walks. Wide Shot  DISOLVE TO: FIELD - OUTSIDE - DAYLIGHT  This is the Hostage's hallucinations. Girl walking along the footpath. 'Bad Guy' jumps out of his car and grabs the girl.  *HOSTAGE SCREAMS* " Help, ahhhh, Help me " 'Bad Guy' hits her on the head. She goes unconscious.  Guy puts her in h...

  Rationale For Foundation Portfolio:  Scene One:  ( Boards 1 - 6 , Story Boards ) Scene One starts with establishing shots of the location. The camera will be doing close-ups and wide shots on certain things within the workshop. This will slowly set the scene, giving the audience time to gage and have an idea of what might be happening. At this point the audiences ideas may vary as they will not yet be introduced to any characters. For this scene there will be low lighting to add to the suspense, the hand held camera may be a bit unsteady, but not too shaky for the audience to notice. For the editing of this scene we will try and make them quick shots and add a blurry affect to them. Putting the audience at an edge of what's happening and engaging them with the film, making them want to watch more.  Scene Two:  ( Boards 7 , Story Boards )  Scene Two will be where we introduce a character from the short film. This will be the Hostage. We will show her alrea...

  CALL SHEET KPM Productions 1/06/21 Actors:  Role: Hostage Who: Chloe Manner Contact:   Role: ‘Bad Guy’  Who: Levi  Contact:    Crew:  Sound : Kevin Harris Director : Mele Leaaetalafoou  Camera : Kevin Harris               Production Assistant : Porcia Armitage                   Schedule:                                          Thursday:   8:45 am : Crew comes together and starts to set up equipment. Talk and Plan out        What we’re going to do.  9:00 am : Talent should arrive , meet down at the field.  9:10 am : Get Talent ready , talk to the...

Mele: (pre-production) - script - Location - Call sheet - Concepts (production)  - Location shot set up - Director/Time-keeper (post-production) - Evidence Porcia:  (pre-production) - Shot list - Talent - Weather-check - Props&Costume - Treatment (production) - Audio operator - Lighting/Fleccie - Actors (post-production)  - Cast&Crew  Kevin:  (pre-production) - Storyboard - Early technical decisions  - Filming Equipment  - Film Schedules - Moodboards - Brainstorm - Rationale (production) - Equipment final check  - Camera operator (post-production) - Basic plot on timeline - Logo - Titles - Treatment explanation of the above